Good Times Big Squat

Sorry for the lack of posts by me in the last couple days. I have been painting with a bunch of mates at a huge squat in London Fields in preparation of a big Dubstep/Jungle Rave this evening...I will be posting better pics of the whole squat in the next week.
Props to EBOT (SD), WORD TO MOTHER, RONZO, OBELISK, ARE (DL), BAKIBAKI, MYSTERIOUS AL, BUTELLA CREW, ASET, GROS & PANIK (ATG) for coming down to share some love.....


Heavy Bass Karnival with the Senseless Records family and special guests. Two rooms of music all night in a secret London warehouse location. Heavy systems guaranteed and the only rave we know in London featuring a skate park in room two.

Part of a week of events, raves, talks and more, check www.siren-net.co.uk. Technicolour bass music from:
No Names (Foreign Beggars)
Jerome Hill
Ghosttown ft Special Guest MCs
DeVille (Senseless)
Sarantis ft MC Dialect (Black Acre/Senseless)
Daddy Nature (Urban Nerds)
Beat3
Balki
Absnif
Sasquatch (Senseless)

£5 Entry....it's going to be sick...the location is incredible! CALL: 07507162708 & 07563808687 on tonight for address, cos I'm not allowed to tell you...

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Train Bombing Animation

A great little animation video By: Bodie Jahn-Mulliner, Rasmus Hansen, Sylvester Rishøj Jensen, Rasmus Ustrup
[VIA]

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The amazing Russian Matryoshka dolls

31 renowned fashion designers around a single task: recreate the legendary Matryoshka dolls for the tenth anniversary celebration of the Russian Vogue. After an invitation from the magazine's editor in chief, Aliona Doletskaya - who, some say, is one of the few executives in the magazine who can be considered a human being - important names like Prada, Moschino, Saint Laurent, Armani, Dolce&Gabana, Oscar de La Renta, among others, explored a cutting-edge approach to the task, producing small, contemporary works of art, filled with a cultural connection between Russia's past and present.

Each brand produced a sketch, which were then handed over to some of the best craftsmen in the country and produced in wood, measuring 50 cm in height and 60 cm in diameter. The dolls were then hand-painted according to the drawings.

It was its quick popularity and wide spread that made the Matryoshka dolls one of Russia's most prevailing symbols. The first dolls are credited to Sergei Maliutin, dating back to 1890. Inspired by the Japanese wood dolls, he drew a project of one that would have typical clothes and appearance. They were eight small peasants that followed a concept already well known in the country, of hollow objects which contain similar ones inside in progressively smaller sizes (take the Fabergè eggs, for instance).

Those small objects travelled through an entire century, adapting themselves to historic demands - such as matryoshkas portraying leaders like Krushchev and Lenin, educational, decorative or commemorative demands, such as Russian Vogue's; this shows their the infinite ability to adapt themselves and the many interpretations they can have, remaining, at the same time, unchanged and never out of date. About the collection, Aliona Doletskaya said: each matryoshka is unique and a work of art in itself. Landmark, sculpture, work of art - you can call it whatever you like.

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The Bays & The Heritage Orchestra

This was an incredible bit of Music-Making history! Electronic-Improvisation group, The Bays teamed up with the Heritage Orchestra to perform together live at the Liverpool Philharmonic Hall.


"Every writer has to face the challenge of the blank page. Tonight, that's what the audience faces - a blank score, displayed on three large screens behind the silent players of the Heritage Orchestra. The two "live composers", John Metcalfe and Simon Hale, have only just begun, quickly writing notes using score-writing software. A solo flute plays, while, on screen, the pages fill up with long notes, and conductor Jules Buckley cues the strings. The music grows slowly from these repeated sections, and then the Bays join in.

The idea is as simple - and as technologically, mind-bogglingly complicated - as that. Composers write notes; musicians, reading from individual LCD screens, play them. The Bays (drums, bass and two keyboards) improvise rhythm section parts that in turn prompt Metcalfe (strings) and Hale (winds) to write new motifs and themes: both composers have perfect pitch." -Words VIA
[VIA]

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Art Events Thursday 29th July Onwards

Brick Lane Gallery
196 BRICK LANE, E1 6SA


Stolen Space Gallery
From 30.07.10 - 08.08.10 A
Artist Tim Fowler will be taking residence of the gallery for one week.
STOLENSPACE GALLERY
Dray Walk, The Old Truman Brewery
91 Brick Lane
London E1 6QL

HACKNEY WICKED ART FESTIVAL RETURNS THIS JULY! NOW IN ITS THIRD YEAR HACKNEY WICKED 2010 WILL BE BIGGER AND BETTER THAN EVER. THREE DAYS OF GALLERIES, OPEN STUDIOS, LIVE ART EVENTS, FLEA MARKETS, OPEN AIR FILM SCREENINGS, EXHIBITIONS, 4 LIVE MUSIC STAGES, THE WORLD FAMOUS CORACLE REGATTA AND MORE...
http://www.hackneywicked.com/

Billionaire Boys Club, Ice Cream, Mishka, 10Deep, aNYthing, Gourmet Sample Sale at East Gallery Brick Lane today (Thursday 29th July)

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Nike Air Max Infrared 90s Re-Release

Nike Air Max Infrared 90's could possibly be one of the best Nike designs ever by Tinker Hatfield. They have been globally re-released this year in limited numbers. And I have to say that they look even better when modelled by Justene Jaro for Primitive Shoes' new photoshoot!






[VIA]

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Mario Hugo Design

Mario Hugo is a great designer/artist from New York, who has worked with clients that include Nike, British Airways, Dolce & Gabbana, EMI, Warp Records, Microsoft, Channel 4, Lane Crawford, The Fader, and MTV.





[VIA]

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Sculptures in Motion

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Li Wei’s Optical Illusions Part 2

The previous post seemed to be very popular so I thought I would do another.

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Ripo Optimo

By RIPO:, "An old tobacco factory in Madrid seemed like the perfect place to do a proper (and properly sized) tribute to the classic Optimo Sign, with smoke and all. This piece is very personal as it talks a lot about where I come from and the influences in my work but at the same time it gives an optimistic word to those who might not know the context behind the piece."



[VIA]

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Japanese farmers use rice fields to express their art

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